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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://sergialvarez.com/en/mecamisticas-dilalica/embed/" width="600" height="338" title="&#x201C;mechamystics &#x2013; Dilalica&#x201D; &#x2014; Sergi &#xC1;lvarez Riosalido" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><thumbnail_url>https://sergialvarez.com/wp-content/uploads/2024/03/MECHAMYSTICS.119.jpg</thumbnail_url><thumbnail_width>1536</thumbnail_width><thumbnail_height>2048</thumbnail_height><description>&#x201C;Mechamystic: invisible mechanics in which we are immersed in trembling.&#x201D; Granada&nbsp; visionary filmmaker Jos&#xE9; Val del Omar (1904 &#x2013; 1982) coined this term in one of his collages, dated between 1977 and 1982, alongside other brief text fragments and the image of sound waves. Mechamystic, coined by Val del Omar, is a fundamental concept in [&hellip;]</description></oembed>
