{"id":612,"date":"2022-10-17T19:54:11","date_gmt":"2022-10-17T19:54:11","guid":{"rendered":"https:\/\/sergialvarez.com\/el-ojo-del-corazon-vio-algo-que-la-mano-nunca-pudo-sostener\/"},"modified":"2022-12-20T01:31:09","modified_gmt":"2022-12-20T01:31:09","slug":"el-ojo-del-corazon-vio-algo-que-la-mano-nunca-pudo-sostener","status":"publish","type":"post","link":"https:\/\/sergialvarez.com\/en\/el-ojo-del-corazon-vio-algo-que-la-mano-nunca-pudo-sostener\/","title":{"rendered":"The heart\u2019s eye saw something which the hand could never hold \u2013 Chiquita Room"},"content":{"rendered":"\n

\u00ab This room, housing the flesh, is home for the heart: point of return and point of departure; contains those objects which, the sight fallen or fixed upon, are thresholds for the quick heart\u2019s eye. The real thing, caught in the hand, through which the heart takes flight \u2026 The breath caught in the early morning because the heart\u2019s eye saw something which the hand could never hold\u2026 \u00bb. This excerpt from Maya Deren<\/strong>\u2018s diaries and included in the volume The Legend of Maya Deren (Anthology Film Archives, 1988) constitutes an important reference to articulate a group exhibition<\/a> about chamber films, considered as a kind of films between the domestic and the public, the amateur and the professional, the intimate and the collective. Based on the work of six artists and filmmakers, a series of practices that integrate a way of working based on the fleetingness of the gesture, on the delicacy of the unpredictable instant, while reflecting on the ways of inhabiting intimate spaces, will be shown.<\/p>\n\n\n\n

Among the participating artists are Valentina Alvarado Matos, Judith Adataberna, Callisto Mc Nulty, Marie Losier and B\u00e1rbara S\u00e1nchez Barroso.<\/p>\n\n\n\n

The heart\u2019s eye saw something which the hand could never hold<\/em> is a group exhibition shown at Chiquita Room from November 9 to December 23, 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab This room, housing the flesh, is home for the heart: point of return and point of departure; contains those objects which, the sight fallen or fixed upon, are thresholds for the quick heart\u2019s eye. The real thing, caught in the hand, through which the heart takes flight \u2026 The breath caught in the early […]<\/p>\n","protected":false},"author":1,"featured_media":622,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[58,45],"tags":[60,59,42,38],"yoast_head":"\nThe heart\u2019s eye saw something which the hand could never hold \u2013 Chiquita Room - Sergi \u00c1lvarez Riosalido<\/title>\n<meta name=\"description\" content=\"Exposici\u00f3n colectiva sobre el cine de c\u00e1mara, entendido como ese cine que se sit\u00faa entre lo dom\u00e9stico y lo p\u00fablico, lo amateur y lo profesional.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergialvarez.com\/en\/el-ojo-del-corazon-vio-algo-que-la-mano-nunca-pudo-sostener\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The heart\u2019s eye saw something which the hand could never hold \u2013 Chiquita Room - Sergi \u00c1lvarez Riosalido\" \/>\n<meta property=\"og:description\" content=\"Exposici\u00f3n colectiva sobre el cine de c\u00e1mara, entendido como ese cine que se sit\u00faa entre lo dom\u00e9stico y lo p\u00fablico, lo amateur y lo profesional.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sergialvarez.com\/en\/el-ojo-del-corazon-vio-algo-que-la-mano-nunca-pudo-sostener\/\" \/>\n<meta property=\"og:site_name\" content=\"Sergi \u00c1lvarez Riosalido\" \/>\n<meta property=\"article:published_time\" content=\"2022-10-17T19:54:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-20T01:31:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sergialvarez.com\/wp-content\/uploads\/2022\/10\/DSCF6753_33-1024x683.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\">\n\t<meta name=\"twitter:data1\" content=\"1 minute\">\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/sergialvarez.com\/#website\",\"url\":\"https:\/\/sergialvarez.com\/\",\"name\":\"Sergi Alvarez Riosalido\",\"description\":\"Escritor, comisario e investigador especializado en creaci\\u00f3n y pensamiento contempor\\u00e1neos\",\"publisher\":{\"@id\":\"https:\/\/sergialvarez.com\/#\/schema\/person\/86380b7063077712a09243cf80586c67\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/sergialvarez.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/sergialvarez.com\/en\/el-ojo-del-corazon-vio-algo-que-la-mano-nunca-pudo-sostener\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/sergialvarez.com\/wp-content\/uploads\/2022\/10\/DSCF6753_33.jpg\",\"width\":2560,\"height\":1707,\"caption\":\"\\u00a9 Luis Torroja, 2022\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/sergialvarez.com\/en\/el-ojo-del-corazon-vio-algo-que-la-mano-nunca-pudo-sostener\/#webpage\",\"url\":\"https:\/\/sergialvarez.com\/en\/el-ojo-del-corazon-vio-algo-que-la-mano-nunca-pudo-sostener\/\",\"name\":\"The heart\\u2019s eye saw something which the hand could never hold \\u2013 Chiquita Room - 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