{"id":655,"date":"2023-03-08T16:25:31","date_gmt":"2023-03-08T16:25:31","guid":{"rendered":"https:\/\/sergialvarez.com\/sssssh-ciclo-de-cine-de-camara-chiquita-room\/"},"modified":"2023-03-09T16:34:06","modified_gmt":"2023-03-09T16:34:06","slug":"sssssh-ciclo-de-cine-de-camara-chiquita-room","status":"publish","type":"post","link":"https:\/\/sergialvarez.com\/en\/sssssh-ciclo-de-cine-de-camara-chiquita-room\/","title":{"rendered":"sssssh &#8211; chamber film cycle \u2013 Chiquita Room"},"content":{"rendered":"\n<p><em>sssssh \u2013 chamber film cycle<\/em>\u00a0is an exhibition and programmed series of screenings inspired by Maya Deren\u2019s idea of \u201cchamber films\u201d, a cinematographic practice between the private and the public, the amateur and the professional. In the works by the filmmakers in this project, each film is a room, a chamber that captures the intimacy of the gesture, the briefness of a glimpse. This cycle makes <a href=\"https:\/\/chiquitaroom.com\/en\/event\/sssssh-ciclo-de-cine-de-camara\/\">Chiquita Room<\/a> into that place that, as Maya Deren wrote, is home for the heart: \u00abthe breath caught in the early morning because the heart\u2019s eye saw something which the hand could never hold\u2026\u00bb.<\/p>\n\n\n\n<p>On the occasion of the Loop Festival and as part of the&nbsp;<a href=\"http:\/\/loop-barcelona.com\/loop-festival-2022\/city-screen-2022\/\">City Screen 2022<\/a>&nbsp;program, Chiquita Room proposes this cycle and collective exhibition with the participation of&nbsp;<strong>Judith Adataberna,&nbsp;<\/strong><strong>Valentina Alvarado Matos<\/strong>,&nbsp;<strong>Marie Losier,&nbsp;<\/strong><strong>Callisto Mc Nulty<\/strong>&nbsp;and&nbsp;<strong>B\u00e1rbara S\u00e1nchez Barroso<\/strong>.<\/p>\n\n\n\n<p><strong>Wednesday, November 9 at 7:00 pm.<\/strong><br>Opening of the exhibition\u00a0<em>The heart\u2019s eye saw something which the hand could never hold.<\/em><\/p>\n\n\n\n<p><strong>Thursday, November 10 at 7:00 p.m.<\/strong><br>Screening #01 sssssh \u2013 Judith Adataberna<br>With the screening of\u00a0<em>Parpadeo\u00a0<\/em>(2018),\u00a0<em>El espectrorium\u00a0<\/em>(2016-2017),\u00a0<em>Glimpses in the devil\u2019s eye\u00a0<\/em>(2019),\u00a0<em>Inside the microtubule\u00a0<\/em>(2018).<br>With the presence of Judith Adataberna.<\/p>\n\n\n\n<p><strong>Friday, November 11 at 7:00 p.m.<\/strong><br>Screening #02 sssssh \u2013 B\u00e1rbara S\u00e1nchez Barroso<br>The session will include screenings of the films\u00a0<em>The Odyssey<\/em>\u00a0(2018) and the three films that are part of the installation\u00a0<em>The Holobiont That Therefore I Am<\/em>\u00a0(2022):\u00a0<em>The Knots We Knot<\/em>\u00a0(with Adriana Vila Guevara, 2021),\u00a0<em>Botanical Dream<\/em>\u00a0(2022),\u00a0<em>The way my mother talked to plants<\/em>\u00a0(2022).<br>With the presence of B\u00e1rbara S\u00e1nchez Barroso.<\/p>\n\n\n\n<p><strong>Saturday, November 12 at 7:00 p.m.<\/strong><br>Screening #03 sssssh \u2013 Valentina Alvarado Matos<br>With the screening of\u00a0<em>Tr\u00f3pico Desva\u00eddo<\/em>\u00a0(2016),\u00a0<em>Chances de luz\u00a0<\/em>(2017),\u00a0<em>El mar pein\u00f3 la orilla\u00a0<\/em>(2019) and\u00a0<em>Arrojalatierra\u00a0<\/em>(2021).<\/p>\n\n\n\n<p><strong>Wednesday, November 16 at 7:00 p.m.<\/strong><br>Screening #04 sssssh \u2013 Correspondences by Valentina Alvarado Matos and B\u00e1rbara S\u00e1nchez Barroso<br>Screening of correspondences by Valentina Alvarado Matos (<em>Letters to Nazli Dincel<\/em>, 2020) and B\u00e1rbara S\u00e1nchez Barroso (<em>Letters from the forest<\/em>, 2017).<\/p>\n\n\n\n<p><strong>Thursday, November 17 at 7:00 p.m.<\/strong><br>Screening #05 sssssh \u2013 Callisto Mc Nulty<br>Presentation of the publication From Spring to Spring by Callisto Mc Nulty with Sara Agudo Mill\u00e1n and screening of\u00a0<em>P\u00e9n\u00e9lopiade<\/em>\u00a0(2022).<br>With the presence of Callisto Mc Nulty.<\/p>\n\n\n\n<p><strong>Friday, November 18 at 7:00 p.m.<\/strong><br>Screeing #07 sssssh \u2013 Marie Losier<br>Screening of\u00a0<em>Miniature Houses From Chicago Museum of Arts\u00a0<\/em>(2002),\u00a0<em>Bird Bath and Beyond<\/em>\u00a0(2003),\u00a0<em>Which Is Witch ?<\/em>\u00a0(2020),\u00a0<em>Electric Storm \u2013 100 Years of Theremin\u00a0<\/em>(2020).<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>sssssh \u2013 chamber film cycle\u00a0is an exhibition and programmed series of screenings inspired by Maya Deren\u2019s idea of \u201cchamber films\u201d, a cinematographic practice between the private and the public, the amateur and the professional. In the works by the filmmakers in this project, each film is a room, a chamber that captures the intimacy of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":652,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[58,45],"tags":[60,59,42,38],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>sssssh - chamber film cycle \u2013 Chiquita Room - Sergi \u00c1lvarez Riosalido<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergialvarez.com\/en\/sssssh-ciclo-de-cine-de-camara-chiquita-room\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"sssssh - chamber film cycle \u2013 Chiquita Room - Sergi \u00c1lvarez Riosalido\" \/>\n<meta property=\"og:description\" content=\"sssssh \u2013 chamber film cycle\u00a0is an exhibition and programmed series of screenings inspired by Maya Deren\u2019s idea of \u201cchamber films\u201d, a cinematographic practice between the private and the public, the amateur and the professional. 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