Sergi Álvarez Riosalido

– Menu
  • Writer
  • Curator
  • Research
  • About
Eng|Esp
#philosophy#talks & lectures#residencies#exhibitions#publications#cinema#literature#art#articles#Jonas Mekas#Harun Farocki
Menu
  • Writer
  • Curator
  • Research
  • About
#Filters
Eng|Esp
#philosophy#talks & lectures#residencies#exhibitions#publications#cinema#literature#art#articles#Jonas Mekas#Harun Farocki

Sergi Álvarez Riosalido

Writer, curator and researcher specialized in creation and contemporary thought

(2020) El dominio y la muerte. Cogito, locura y finitud en el debate Derrida-Foucault – V Congreso Internacional La actualidad de Michel Foucault (Universidad Complutense de Madrid) /

(2020) ¿Qué voces son esas que hablan de un mundo en común? Las reticencias de Derrida y Lacan al mayo del 68 – Congreso Internacional Mayo del 68/50 años después (Universidad Complutense de Madrid) /

(2020) Les nits incendiades. Alquímia i representació en la poesia de Palau i Fabre – Colloque International Josep Palau i Fabre, confluences poétiques et artistiques (Sorbonne Université, 2018) /

(2018) Fascination for an Unfathomable Abyss. Josep Palau I Fabre’s Translation of the Letters of a Portuguese Nun – 1616. Anuario de Literatura Comparada /

(2017) Harun Farocki and the Archive. What Images Show, What Images Conceal – Found Footage Magazine /

(2018) In the Bareness of the Deserts. Kazimir Malevich’s Path Towards Non-objectivity – Materia. Revista Internacional d’Art /

(2017) Nada es tan claro. Una reflexión sobre la obra de Harun Farocki y las imágenes de guerra – Congreso Internacional Reflejos de la guerra, Universidad Complutense de Madrid (Madrid) /

(2017) An Image Emerges from the Deep. Carl Gustav Jung and Aby Warburg, A Comparative Study – Forma, revista de estudios comparativos /

(2017) Als portals de la mort – research project in residence in NauEstruch /

Download my CV here
17.10.2022

« This room, housing the flesh, is home for the heart: point of return and point of departure; contains those objects which, the sight fallen or fixed upon, are thresholds for the quick heart’s eye. The real thing, caught in the hand, through which the heart takes flight … The breath caught in the early […]